{"id":367,"date":"2026-09-01T11:22:00","date_gmt":"2026-09-01T09:22:00","guid":{"rendered":"https:\/\/bomel.be\/?p=367"},"modified":"2026-09-09T09:20:27","modified_gmt":"2026-09-09T07:20:27","slug":"isolde-lasoen-my-kind-of-drama-la-batteuse-de-daan-reinterprete-la-french-touch-avec-elegance-et-panache","status":"publish","type":"post","link":"https:\/\/bomel.be\/index.php\/2026\/09\/01\/isolde-lasoen-my-kind-of-drama-la-batteuse-de-daan-reinterprete-la-french-touch-avec-elegance-et-panache\/","title":{"rendered":"Isolde Lasoen \u2013 My Kind of Drama : la batteuse de Daan r\u00e9interpr\u00e8te la French Touch avec \u00e9l\u00e9gance et panache"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Figure incontournable du paysage musical belge aux c\u00f4t\u00e9s de Daan, la multi-instrumentiste Isolde Lasoen d\u00e9voile <em>My Kind of Drama<\/em>, son troisi\u00e8me album solo. Entre synth\u00e9tiseurs vintage, h\u00e9ritage cin\u00e9matographique et phras\u00e9 bilingue savoureux, elle pose son regard et ses mots sur une French Touch r\u00e9invent\u00e9e \u00e0 sa mani\u00e8re.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-1024x731.jpg\" alt=\"\" class=\"wp-image-368\" srcset=\"https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-1024x731.jpg 1024w, https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-300x214.jpg 300w, https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-767x548.jpg 767w, https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Piet Stellamans, CC BY-SA 4.0 <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\">https:\/\/creativecommons.org\/licenses\/by-sa\/4.0<\/a>, via Wikimedia Commons<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">De l&rsquo;ombre des f\u00fbts \u00e0 la lumi\u00e8re des projecteurs<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Batteuse d&rsquo;exception, chanteuse et arrangeuse, Isolde Lasoen a longtemps pr\u00eat\u00e9 son sens du tempo et son groove \u00e0 d&rsquo;autres artistes, \u00e0 commencer par Daan, avant d&rsquo;imposer un univers personnel singulier. Avec ce troisi\u00e8me album solo paru chez Mayway Records, elle prolonge la trajectoire entam\u00e9e avec <em>Oh Dear<\/em> (2023) tout en injectant une nouvelle couleur \u00e0 ses compositions. En collaborant avec le producteur fran\u00e7ais Michael Declerck (qui a boss\u00e9 avec Kavinsky, Gaspard Aug\u00e9 de Justice ou encore Juliette Armanet), introduit par Victor Le Masne (le compositeur de l&rsquo;hymne magnifique des JO de Paris 2024), elle tisse un dialogue subtil avec les codes de la French Touch : basses rondes, nappes de synth\u00e9s chaleureuses et textures \u00e9lectroniques inspir\u00e9es de Kavinsky ou d&rsquo;Air.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;artiste y distille son go\u00fbt immod\u00e9r\u00e9 pour les grandes envol\u00e9es cin\u00e9matographiques \u00e0 la Ennio Morricone ou Vangelis, tout en conservant une touche pop r\u00e9tro-futuriste et un chant bilingue port\u00e9 par ce phras\u00e9 d\u00e9licat et ce grain de voix si reconnaissable.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Le single \u00e0 l&rsquo;honneur : <em>My Kind of Drama<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Morceau-titre \u00e9crit en fran\u00e7ais d\u00e8s l&rsquo;\u00e9poque du pr\u00e9c\u00e9dent opus mais gard\u00e9 au chaud pour ce nouveau chapitre, <strong>\u00ab My Kind of Drama \u00bb<\/strong> illustre parfaitement l&rsquo;approche d&rsquo;Isolde Lasoen : s&#8217;emparer de l&rsquo;esth\u00e9tique French Touch pour en offrir une lecture personnelle, textuelle et sensible.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Isolde lasoen  - My Kind Of Drama\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/x1XUpvgXbcg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La chanson joue sur le contraste entre la fascination pour le romanesque th\u00e9\u00e2tral dans les arts et le besoin visc\u00e9ral de fuir les tensions dans la vie r\u00e9elle. Sur une rythmique soign\u00e9e et des nappes envo\u00fbtantes, les paroles capturent cette posture tout en retenue et en autod\u00e9rision :<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>\u00ab Je reste l\u00e0 \/ Je vois tout ce n&rsquo;est pas mon drame \/ Mais c&rsquo;est \u00e7a la vie, la douleur, la magie \u00bb<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00ab Moi j&rsquo;\u00e9coute, moi j&rsquo;attends \/ Je souffle &lsquo;non&rsquo; en souriant \/ J&rsquo;aime le drame, j&rsquo;aime l&rsquo;\u00e9cho \/ Pas trop pr\u00e8s, pas trop t\u00f4t \u00bb<\/em><\/p>\n<\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading\">Deux autres sommets de l&rsquo;album : <em>Egoland<\/em> et <em>Perception<\/em><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Isolde Lasoen - Egoland\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/EKPWi5yqSmc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Egoland :<\/strong> Construit sur un tempo entra\u00eenant, des synth\u00e9s pulsants et une longue outro hypnotique taill\u00e9e pour le live, le morceau s&rsquo;attaque frontalement au culte de l&rsquo;ego et aux faux-semblants des relations modernes. Isolde Lasoen y lance un appel lib\u00e9rateur \u00e0 faire tomber les masques pour privil\u00e9gier l&rsquo;essentiel.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>\u00ab Turn the volume of your ego down \/ So you can hear \/ Your heart again \/ You don&rsquo;t have to be rich \/ You don&rsquo;t have to be smart \/ You don&rsquo;t have to impress me by playing a part \u00bb<\/em><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Perception :<\/strong> Pi\u00e8ce ma\u00eetresse \u00e0 l&rsquo;ambiance nocturne et gla\u00e7ante, ce titre minimaliste rappelle l&rsquo;univers cin\u00e9matographique sombre d&rsquo;un film noir ou les productions de Kavinsky. Lasoen y interroge la distorsion de nos r\u00e9alit\u00e9s et le poids de nos propres filtres mentaux.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>\u00ab What we feel, is it true, or just reflection \/ In our mind, in disguise, a false connection \/ I heard the silence speak \/ You heard the echoes call \/ Perception \u2013 perception \u2013 perception \u00bb<\/em><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Une parenth\u00e8se pop raffin\u00e9e qui confirme l&rsquo;aisance d&rsquo;Isolde Lasoen \u00e0 transformer les tourments et la nostalgie en une m\u00e9lodie lumineuse et addictive.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-My-Kind-of-Drama-300x300.jpg\" alt=\"\" class=\"wp-image-369\" srcset=\"https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-My-Kind-of-Drama-300x300.jpg 300w, https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-My-Kind-of-Drama-150x150.jpg 150w, https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-My-Kind-of-Drama-768x768.jpg 768w, https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-My-Kind-of-Drama-1024x1024.jpg 1024w, https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-My-Kind-of-Drama-1536x1536.jpg 1536w, https:\/\/bomel.be\/wp-content\/uploads\/2026\/09\/Isolde-Lasoen-My-Kind-of-Drama-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Isolde Lasoen<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">My Kind Of Drama<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>May Way Records<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Figure incontournable du paysage musical belge aux c\u00f4t\u00e9s de Daan, la multi-instrumentiste Isolde Lasoen d\u00e9voile My Kind of Drama, son troisi\u00e8me album solo. Entre synth\u00e9tiseurs vintage, h\u00e9ritage cin\u00e9matographique et phras\u00e9&hellip;<\/p>\n","protected":false},"author":1,"featured_media":368,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[308,314,309,313,307,111,291,312,310,315,311],"class_list":["post-367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique","tag-daan","tag-ennio-morricone","tag-french-touch","tag-gaspard-auge","tag-isolde-lasoen","tag-juliette-armanet","tag-justice","tag-kavinsky","tag-michael-declerck","tag-vangelis","tag-victor-le-masne"],"views":152,"_links":{"self":[{"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/posts\/367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/comments?post=367"}],"version-history":[{"count":2,"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/posts\/367\/revisions"}],"predecessor-version":[{"id":398,"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/posts\/367\/revisions\/398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/media\/368"}],"wp:attachment":[{"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/media?parent=367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/categories?post=367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bomel.be\/index.php\/wp-json\/wp\/v2\/tags?post=367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}